Undertaken for the Sydney Fringe Festival 2019, LICHT_redux will be featured at Bay 43 The Rocks between September 5-8, 2019. Images will be added once the exhibition has closed.


The project for Vivid Ideas Chatswood 2019 was presented as a part of a curated exhibit, Future Abstract. The work consisted of a refractive sculptural mechanism and multiple projection sources. You can see more images and video of the work on the tranSTURM website.


An exploration of the contrast between appliqué and bricolage in creation of Khayamiya, Pomegranate focuses on a common pattern within the form, repeating within 8 geometric sections. The work also considers the contrast between weaving and sewing as creative activities: Pomegranate attempts to return the khayamiya to a point of origin, artificially reuniting artifact with raw materials. Khayamiya exhibit geometric patterns that seem to be inspired by nature, not unlike

Apple of Iron

Apple of Iron was made as a final creative work in my Master of Animation program at UTS. The film was a direct response to the unfortunate view by some academics that computer-based animation was somehow less valid than handmade forms. So I took the most esoteric of handmade forms, the most boring procedural digital forms, and smashed them together. I worked with Defektro Noise Army’s Hirofumi Uchino to ensure


|flow#1-3#fließen| was created by art collective tranSTURM for VIVID Light 2016 curated exhibition/installation Perspectives. The work is a digital ecology that seeks to reunite the urban space with nature. 19 screens suspended within The Galleries, Sydney, allowed for a state of flow interrogating the act of commuting as a form of migration. My role within the project was to create elements of animation and work together with other animators to

Obsessive Possessives

Animated title design for documentary film by Louisa Achille. The work was designed to fit a kitch/retro aesthetic as briefed by the director. I also assisted with other elements of post production.